Showing posts with label outfit. Show all posts
Showing posts with label outfit. Show all posts

21 August 2014

Brooklyn Babe


Earlier in the summer, W Magazine gave me the mission of wandering Brooklyn with last NYFW's show haunts as my inspiration: anyone who was paying attention might remember the outrage that ensued at being called to the outer borough for the Alexander Wang and Opening Ceremony Shows.....the tweets, the instagrams, the snark! Never mind that many of the editors and showgoers now live in this neighborhood..... hahaha.


18 August 2014

Denim Irony


New season's about to be here, figured a change in scenery on this here blog should come along with it. Susan Miller did say this month is all about transformations....I think. I'm actually too punk-ass to reread my horoscope for the month since I've been so anxious lately aha ha, ha. Anyway, I've actually been wearing this outfit repeatedly throughout the week since it's so effortless and perfect for the weather. I love this skirt so much! I got several questions about where I got it from on Instagram so I thought I'd grab a quick outfit post for y'all so you can see it properly.

I'm wearing: Bonlook Glasses*, Only Child London Necklace*, Choies White Long Sleeves Button Up*, Choies Blue Single-Breasted High Waist Denim Pencil Skirt*, Nanette Lepore Seduction Satchel*, ASOS Portobello Shoes.


Isn't this cropped shot so weird? I look so stilted, like a doll. I was just walking mid-shot, but it feels very artificial and anxious, like I'm in a Hitchcock movie. I'm into it and the sloppy details you can see shine through regarding the skirt. I love this skirt, mostly because it's just a joke -- referencing all those girls who wrap their sweaters around their hips as they go along with their day. I have a history of wearing actual sweaters as skirts -- you may come across old blog photos on this exact event if you go far back enough (I'm thinking 2008-2009 era? Before I dyed my hair, even!). It just seems a progression in my inside joke with myself, really. It's a snap-off skirt so I feel like a stripper just yanking it off at the end of the day. Undressing with a flourish, it's the only way to go. If dressing and undressing are intimate, even erotic acts at times, they can also just be very funny. I like when it happens to be both.

P.S I have a story in the September issue of Teen VOGUE. I'm super excited about it & thrilled to have been assigned to write about hair dye....since I am somewhat of an expert at home dye it at this point. Please check it out!

15 April 2014

The Prada Problem

JumpFromPaper_Tayler Arabelle_choies_1

Tayler and I finally wrapped up the final photos for our Most Important Ugly photo project and hopped right into shooting my babe Jilly (photos of her on Tayler's blog) and also these cute bags I've gotten recently. This will be the last time we have studio space together until after the summer which is really weird! We've been shooting almost every weekend for six or seven months now and almost always around this very strict theme using this very specific process. So finally working on stuff outside rules we've set for ourselves was a strange experience. Tayler jumped right into it and built this amazing set and I was almost at a loss as to what to do with Jilly's makeup, since I'm so used to interrogating people and building a history based on their stories. To not have that story and not reference any specific look like I sometimes do (recreating McGrath for Galliano, 5ever) - it was really exciting but also really intimidating.


I think into things all of the time, half probably because I'm eternally trying to justify my interests as having value and the other half because I want to explore that value endlessly. But really, even though I love makeup and love how it connects people, sometimes you just want simple looks that look good. I didn't build on any references, I just went with colors I thought would look nice. Jilly has perfect skin and she looks good in everything so it was really easy and fun. Almost too much fun: I had to give my permission to keep it really simple. The day before (or after? time is weird) I did the exact opposite and I had to give my permission to go all out and I spent a very long time doing detail work and violent physical labor with glitter.

Hat: DIY Glasses: Givenchy Dress: Choies*Strawberry Bag: Tayler's Egg Bag: Luna from the MoonShoes: ASOS. Eyeshadow: Urban Decay Electric PaletteLipstick: YSL Le Orange* Tayler's Bag: Jump from Paper*

Anyway. So I copped this Prada knockoff. Sorry Prada. I worship the ground you work on and I talk about knockoffs quite consistently! There was just no way in hell I could ever afford the real thing, Prada doesn't really do Archive sales in the style of CDG so there was no point in even waiting a million years. I settled and bought the knockoff instead -- laughing at the minor differences all the while (documented in my Prada tag on tumblr, to my own amusement and no one else's, because I have a sad sense of humor). I did buy Authentic Prada sunglasses though so like, she still is getting my money in some capacity? To assuage the guilt I feel. I was going to buy the bra that goes on top of it, but even the non-embellished version costs about $1200 and I would rather make it myself with vintage brooches and you know, pay rent and student loans and stuff. I'm sure Miuccia doesn't mind too much.


I don't even know why I am apologizing to the internet when we are all pretty complicit in knockoff corporate culture. I think it's probably because I think about class and knockoffs all the time and haven't purchased anything in months besides authentic designer and now I feel weird class shame like I've reverted.  This is the kind of shame that is set up in us and I'm not sure it's entirely a bad or good thing. It's just a thing. I'm thinking a lot about feelings about feelings lately and how you don't really need them. No feeling is final, right? And you don't need to have feelings about feelings. Once you realize this you become free in a lot of ways. Freedom doesn't make you a better person though, and I think we're supposed to want to be better people. Better over freedom? You can aspire for both, of course. But I'm not sure you can get them at once all the time, particularly in the context of consumerism. There is always guilt to fall somewhere, usually it's on the consumer. Especially the poor consumer. Bootstraps mentality and all that jazz -- if you work harder you'll get what you deserve, what you work for, rise. Of course, that's not what really happens. Luck and privilege change the game and you don't so much 'get' a job as are given one. This is where the real conversation begins. But we're still told otherwise, and told if you don't buy the Original you're the bad one when you certainly weren't the person who made the fake to begin with. You're less than. You try to work off the guilt when it shouldn't be yours to deal with in the first place. Do you know what I mean? Feel free to disagree.

Anyway. At the end of the day it's a cute fucking "fake" dress. I wore it outside today with "real" Prada.
Nobody knew the difference.

Photos by Tayler as usual.

24 March 2014

ari n me

ph by Tayler

Hung out with my angel Ari for the first time outside of the internet this Spring Break. I had a really beautiful Spring break full of cute people. I got this vintage suit thrifting the day before with Shelby actually. 


Also had a Rookie hangout. This is not from said hangout, it is from the last hangout. Some of us are pantless in the most current interations of the hangout (we were sweaty from Beyonce choreography) and so the internet can't see those. Sorry. 

So much love. 

22 January 2014

tabi time

Illamasqua Scribe Eyeliner, Comme des Garcons Jacket (remixed) from Fall 2005, TAO CDG blouse (remixed), Undercoverism shorts (gift), Margiela Tabis.

Hi peaches. Long time no see I suppose, at least on this little internet space. I have been writing elsewhere -- Teen Vogue, Rookie, and The Style Con (twice a week right now). I also did some interviews, I've been keeping busy. We're back to working on our monstering photo series, Tayler and I, after about a month off. "Off" is an inaccurate word to describe what I've been up to though. I've never been so busy in my life! I've been at Teen Vogue freelancing M-F and then working on other projects on Saturdays. Today and tomorrow are the only days I've been home, but I've been working today too. The only downtime I've had was when Tayler came over to hang this weekend and she took these pictures. This is my dining room, I've photographed in here quite often over the years. It's really dusty and gross right now, but I think that's fitting, everything in it is old. Pirate ship looks.

So -- since last post: I bought myself a grail item of mine, Margiela Tabis. I'm considering them my 21st birthday present (yes, that happened last week!). It was also the blog's 7th year anniversary, which is absurd to me. I've wanted these shoes for probably at least half of the blog's lifetime. When I look back on my past posts, in between cringing, I can recognize myself in my inspiration even though how I interpreted things was a lot different then. Quite honestly, my inspiration boards are the same they've always been. I have just reformulated my process, trimmed the fat. I wrote about giving away a lot of my clothes for TSC actually

Three years ago buying these shoes would have been completely ridiculous and unfeasible to me. But a lot has changed since then. The other week, I was walking through the office on one of my last days at the magazine, staring at my feet in these shoes, in a Seditionaries tshirt (a gift from Hazel from a Rookie swap) and navy CDG skirt (bought for myself last summer), and I had this out of body experience. I was living -- am living -- the dream I first articulated on this very blog years ago. Sophomore in high school dreams being lived out as a Senior in University. I've already purchased so many of the things I've dreamed about, through my writing and other work. I'm in the process of doing so many other things right now I can't even talk about, and I'm so excited, because even a year ago I wouldn't have had the capacity to think myself capable. But now I'm the girl with the tabis I used to hyperventilate with jealousy over. A lot of it -- so much, actually -- has been because of the kindness of my friends and mentors who have believed in me and gave me a chance (and even their clothes, as you might have noticed from this post). I'm a lucky girl. 

Thanks for helping me with everything, peaches. I'm happy you're here with me too. I think I'll do you proud this year.

28 November 2013


Hope you're all having a nice holiday weekend -- I know it can be hella triggering and terrible (usually I totally dread it), I hope it isn't the case for you and you are surrounded by people (and food) you care about. This morning I spent the day gloriously in bed, brainstorming pitches and watching Zoolander. It's a bit frightening how it never gets old. Thinking up pitches on fashion criticism while watching Zoolander is just.. really surreal and funny. Because honestly it's not that different from real life. Which makes it even funnier. 

Anyway --- these weren't taken by Tayler, she's gone home for the break. They're actually in my new studio! But it's still under construction, so it's close cropped. I am embarrassingly rusty at taking my own photos now, but I think these came out kind of cool. Blurry and void of details, yes, but let's all pretend it's #art. Optimism! 

Ok, I felt absurd with all those blurry photos, so here is ONE where you can actually see me. Bah. 

But to the clothes.... my new parka makes me feel very Blade Runner especially with my new haircut. And I am finally wearing my vintage leather pants I thrifted a month or two ago -- during Rookie weekend, so I guess it's been two months? Time flies. It feels so long ago. I was on a mission that day for some CDG because I heard someone had sold a bunch of theirs to a consignment store, and I ended up going on a really dramatic mission throughout the neighborhood looking for a mysterious CDG collection and also leather pants. I lucked out and found these in the first store I went to, for I think $12! I ended up finding way more than I bargained for and ended up having a panic attack in the dressing room with a frozen bank account because I couldn't leave without buying more than I probably should have. OH WELL. I DON'T REGRET IT AT ALL. 

I'd rather resell things I don't wear than walk away wondering what if, anyway. There is so little that I actually really want in my closet nowadays anyway so when I find multiples of things that inspire me I can't just turn away! I don't wan't to wonder what could have been. That applies to more than just clothes. 

Hope you're having a delicious day darlin. See you soon.

17 November 2013

cdg, chanel, pat mcgrath and biba

This weekend has been super packed with makeup and brilliant babes -- my skin is crying out for pampering but I think it was totally worth it. I've been trying to be more productive lately, and so there is a few things you can read from me on the internet. I'm really proud of my Chanel SS14 Makeup Tutorial on Rookie. I also did a quick nail post for Capitol Couture (the Hunger Games Online Magazine), too.

Click for tutorial.

Those over the top makeup looks are my favorite to do -- I ended up spending the rest of that day with that makeup on and I think it looked fabulous huhuhu. I've been consciously trying to do more intricate looks, I'm treating my fashion knowledge as my makeup handbook and going through all of my favorite shows to emulate the looks so I can get better at blending and just general makeup stuff. It's a conscious and methodical effort of learning the aesthetics back and front to the point where I can reference them unconsciously later on when I'm trying to make something uniquely my own. It's how I work when I used to spend a lot of time on my outfits, and now it's how I work teaching myself makeup.

Midnight recreations of Biba Fever and Pat McGrath for Galliano. Tayler did her own makeup using the MUFE Flash Palette pretty much exclusively (honestly, it is the best makeup investment in our combined arsenal). I did my makeup using Kryolan's Aquacolor to white my face out and then powdered with MUFE, and then a bevvy of eyeshadows of my own mixing (I did a tutorial on this) and MAC's Carbon. I'm wearing Illamasqua's Kontrol on my lips because on the monitor Sasha's lips read more cool blue, but I think a deeper, more wine color would be more accurate. My drawn on eyebrows are just liquid eyeliner, I used Clarins. I've listed alternatives you can use below for the same effect. 

Tried to go to the Yayoi exhibit but the line was super long so I went to Comme des Garcons and played around in my future wardrobe instead. Give me like 6 years and they'll be in my closet. Tayler snapped this photo on the way to CDG, she ordered me into the light. It's nice having someone around who is even more obsessed with lighting than I am! I usually have to art direct everything. Anyway, I'm wearing a vintage coat, Cole Haan shoes and a dress that has been on the blog before. Here are your options if you'd like something similar:

Me in the ideal fall coat by Junya Watanabe. It's sold out on farfetch in this colorway, but is available elsewhere should you happen to have that $$$$ lying around. It's disgusting how perfect it fit and how beautifully tailored it is. I think I'm aspirationally more of a Junya girl than a mainline CDG girl most days -- I want to be the punk girl Junya creates.

I'm definitely more of  a Rei baby though. Who could look half as good in these ridiculous coats as me? Too bad they cost more than my tuition. I'll have to wait for a sample sale. Still, walking away from playing with CDG doesn't bother me because I know I'm resourceful enough to find a way to get what I want eventually. It might take realistically like ten years or whatever but it's never a question that it won't be mine. *muffled maniacal laughter in the distance*

Ok I really have homework and deadlines to attend to, but I hope you had a rad weekend too cutie pie. 

04 November 2013

mermaid princesses and tartan queens

Pretty much every Saturday now is dedicated to artmaking with Tayler now, it's my only free day of the week really but I spend most of it working on my girlmonstering photo series. These snaps aren't part of it, they're just pictures we decided to snap at the end of our shoots today to commemorate our working together and our excellent outfits. I've had a rough past month or two and so I decided to wear Scott's dress throw myself into things I love and not look back. It's working and I'm really grateful and inspired by my friends and the work we're doing. 

Tayler and I dyed each other's hair impulsively last weekend and watched My Mad Fat Diary together as a bonding ritual before our photoshoot the next day. I let her do what she wanted with it really, we couldn't find my regular dye in stores (it was the weekend before Halloween also, so venturing into Ricky's was similar to a gauntlet in Hell) so she just used a bunch. 

What I would give to go back in time and run some dry shampoo through my hair before these photos, oh my god. Oh well, these were shot in like twenty minutes, you can't expect perfection. I put my makeup on real fast and didn't bother to wash the product off my hands from when I was doing other girl's makeup. That's all black lip tar on my hands by the way. Tayler's wearing a CDG skirt she spied at Tokio 7 when she went shopping with me (she went back and bought it cause it haunted her....I'm a good influence), you can see why we're friends. 

I think this snap was just to adjust the lighting but I like it the best, I think. Anyway, I hope you're all having a rad weekend. If you're located in or around NYC and you're queer and/or a WOC and down to be a model for our photo series just drop me an email, we're always looking for models. Here's kind of a moodboard and general idea of what we're focusing on if you want to know more. We're keeping all the photos under wraps which is so hard! We want to show them SO BADLY but I think keeping it close until it's ready and more finished is the right thing to do. I'm excited and proud of what we're doing though. I think you will be too once you see. 

28 October 2013

on the grid

Shot these the same day as the last outfit post actually, and I've been wearing this suit in some variation ever since I grabbed it off of Choies. I've been looking for a patterned suit for months -- maybe even a year? This fits like a dream. Being petite can be incredibly annoying when most inseams are for people several inches taller than my 5 ft 2 frame, but I seemed to have lucked out this time.

Blazer: Choies Button Up: Vintage (previously seen here) Pants: Choies Shoes: Cole Haan c/o.

I'm super into the graphic lines of this suit, for some reason it reminds me of J.W Anderson though he wouldn't and hasn't done a suit of this nature before. Most people are saying I look like a new version of Beetlejuice, which I'm into so long as it's not Robin Thicke's version of Beetlejuice a la that horrible performance. I think I mostly look like a game show host. It's cool seeing this suit out of the context of my life though and just on a grid. I kind of am way more into this than I am a quick street style photo simply because you can actually tell this is editorialized.

 People have a hard time realizing my internet life (and those of other bloggers) are pretty much editorialized fictions at this point. You're seeing what we want you to see. That's ok, that's fine, I think, I think knowing you're being presented choice aspects on purpose is much better than being led to believe otherwise. The outfits I post on this blog are real, and I do wear these things, and I certainly think all these thoughts about fashion and beauty and queerness, but I'm also dealing with friendships and sadness and school and so many things I'd much rather keep close to my heart and never tell the internet. 

You can assume from a street style photo that oh yes, I'm living and loving in Da Big Apple, running from this and that to this and that. Glamour! Getting That Guap! So on. Some of that is real. Sometimes I am so lucky to go to events and things. But mostly I'm hustling to get my homework done and overthinking myself to tears on the L train from being overwhelmed from ALL the feelings, and the thought of presenting a magazine-glossy glamorized (and at this point, very standard) street style photo seems wrong to me. Also I have never been good at that? Most of my outfit posts have been me with a tripod in my neighborhood when nobody is walking around, and then me running back into my house. The quick street snap is not real, it never was. I want to explore how weird and complex and intricate I can get with myself in a way that a street style photo can't serve. I know what my clothes look like in the context of my life and work and things, I want to see them in my own imagination via weird photoshoots and stuff. So that's what's happening with Tayler. It's not a perfect interpretation and it won't ever be, but I'm ok with exploring. 

08 October 2013

loop theory: yale and sartorial excellence

Juggling work, an internship (my dream internship, no less!), school, and a social life is a grind I am trying to perfect with some difficulty -- but I'm making it happen because I have to. A fortnight ago I teamed up with my girl Tayler on a few photo projects, one of which were these snaps of a beautiful suit sent to me by a lovely young designer -- and reader -- named Elliy, of the brand Loop Theory. These photos were a long time coming. I was actually sent this suit probably a month or so ago, but with my friend Massiel, my most faithful blog-photographer and cohort off in Japan doin her graduate school thang I have been trying to find someone I trust as much to work with for photos. I don't mind working alone, but taking photos on top of my bed with a tripod gets old way fast. So I'm excited to be working with Tayler, and to be able to finally show this really cute suit off because Elliy is a smart and kind person who has created a very beautful collection. 

I'm wearing: Loop Theory Suit c/o, Vintage necklace, Bonlook glasses c/o.  

A little about Loop Theory -- you may recognize the prints on this suit if you're into architecture, or have ever been to Yale, as they are manipulated snaps of the Ivy League campus. Here's an excerpt from Elliy's brand statement:

Yale was where Loop Theory and all the memories surrounding it were first created. This collection's surrealist designs entail both metaphysical and metaphorical reflections of an illusive Yale based in reality but perceived only through memory in the realm of mind.

This outfit is from her Pre-Fall collection and comes in a skirt version as well. It was hard deciding what to style, but I decided on a suit option instead of a dress for more outfit options. I'm interested in playing around with how these very unique prints play off other patterns in my closet, as I don't have anything quite like this. How would you style this? I'm thinking plain white button up or t-shirt would be most predictable and casual, but I'm also neither of those things.

Anyway -- truth be told I'm feeling super under the weather, but I really wanted to post these up as soon as possible. As a young designer (and reader!) I feel very, very honored and proud to be able to showcase an upstart in the industry, especially as she's a WOC and has little connections to the industry as she doesn't come from a fashion school. Breaking into fashion is SO hard but I hope and think she has a really thoughtful brand and a vision worth watching. Here's to hoping.

18 September 2013

wedding looks for grown up mall goths

Some quick snaps from London again for you -- like I said my last London update, my camera wasn't very helpful so these are from my phone. I also forgot to bring any makeup besides lipstick and CC cream so I look different than I'd like, I feel like this look would have been killer with a really bizarre eyeliner situation but alas. We look totally miserable by default but I swear we were actually happy. I'M SORRY I'M AN IRL DARIA. Anyway! I've been saving this Junya Watanabe dress that I scored at the last CDG Sample Sale for months and months -- I got it at a bargain price, still made me hyperventilate at the register but when it comes to once in a lifetime dresses, I kind of just grit my teeth and remind myself I work to buy things I dream of.  Still, it's just so much LOOK, you know? 

When it comes to such a bizarre dress, it's really important for my own enjoyment of wearing the garment to research it's history. It's pretty far removed from traditional dresses, literally made from parachute fabric, and the most practical reference I have for it is like a high fashion version of those Tripp NYC Baggy bondage pants all the mall goths used to wear when I went to high school. I love the images of this season from Junya:


When we went to Selfridges to try on pretty things (well, actually for me to frolic in the La Fille D'o lingerie section) it was very funny, because I tried on the red leather Junya Watanabe leather jacket I linked up above and it looked virtually the same as my vintage leather jacket I'm wearing in these photos, though mine was less than 1/7th the price. Goes to show you you don't necessarily need to buy the label to buy the look. Though when it comes to some items like this parachute dress, sometimes you just can't find imitations. Even with the Junya jacket, it had knitwear detailing and super stiff, corset leather which is very different from this jacket. Still, it's all in the details. Even the vintage and thrifted things I buy are very's about weird proportions and cuts, and you can find those things in the most unexpected places. Want a CDG tricot look? Go into the school uniform section of your children's apparel store and frolic. Few people would know the difference if you style it right. In fact, it's even more admirable if you can achieve the look without buying into it, sometimes, I think. It's important to me that when I'm thrifting and come across the occasional designer label, that I don't buy the thing just because of the label. Would I really wear it? Really? Even if it's CDG, is the the specific aesthetic of CDG (for there are many) that I obsess over or is it just a pretty tag? And I usually put it down and move on. I haven't regretted many sartorial decisions because of it. 

11 September 2013

knitwear, basquiat, and barbara kruger

Went to Central Saint Martin's with Scott my last full day in London (can't believe it's been a few weeks by now), wore this particular creation of his on the trip there. It's a spectacular dress isn't it? Can you believe he's only been doing knitwear for a year, about? UNREAL. This dress was inspired by Basqiuat and other influences, I think he did a good job of making his intentions known. We'd gone to the Tate Modern the day before and the influence was startling. Unfortunately CSM was closed when I went -- I am cursed apparently, every time I try to go to a fashion themed library it never happens -- but the entrance hall was open and the lighting was killer so we snapped a few pictures together. I'm lucky with finding light. The clouds moved on immediately after we took these pictures, so it was great timing after a lot of dawling elsewhere being frustrated that we weren't getting what we wanted out of the day.

 I love photography and framing and lighting a lot, it lets me find something very intentional about everywhere I go. We're always walking around doing one thing or the other and when you're on the lookout for a good picture, you see things differently. It's nice to capture an ordinary moment and being able to invest something into it. A nondescript concrete wall can be beautiful too. 

I'm horrible at modeling though, definitely fall into the good ol' awkward blogger standby's, so trying to show the back of this dress without looking like I'm drawing on the wall or peeing is too hard for me. Whatever, I'm not signed to Ford, I don't gotta worry bout that stuff. 

I will try hard, however, to always be a better creative person though, which means I'm never going to stop experimenting with this here blog for as long as I have it, pushing my ideas and my techniques and exploring collaborations. I do read every comment and every email and every criticism and fanmail even if it's hard to answer them all, and I try to channel them into something even better and more productive for myself because it's just the only way I know how to live fully and happily. I am very young and have been able to do many things already so there is a constant worry of me wondering -- have I peaked already? is this it? -- but I think it's more productive for me to just hustle and try harder forever. The universe is expanding and nothing will be enough, but I think working towards being enough is fun while I have the chance. The meaning of life, as Kruger points out, is that it stops. So basically: *Jesse Pinkman voice* carpe diem, bitches.

31 August 2013

we can get in trouble just by going free flow

The second to last day in London, Scott and I just went everywhere with me in his creations. This is from his White Project from last year, I remember listening to his development process on Skype while he was working on it. I've seen Scott develop a lot as a designer through his sketchbooks and the signature aspects of his creations are always heavy, intensive knits and large volume. I love the distortion of the body and how I end up moving in his work - the best words for it might be an angelic monstrosity, you know? Some dresses float like on air, and that is a really powerful, sexy experience. But this defies that kind of movement and you as the wearer are forced to experience your clothes in a different way, and I love that. Some of it is stiff and other parts are's ethereal in it's own way, it's a very alienating experience. It's always on the right side of absurd for me, I never feel uncomfortable in his stuff. If I try to describe how I feel in it, it's more like a hand is being extended to take me on a good trip. There is a lot of goodness involved.

 I think it's because we come from the same place aesthetics wise and share similar backgrounds. Scott's my designer just as much as CDG is, if not more, because I actually have an influence on what he creates. It's very fulfilling to have someone to collaborate with on ideas and to see them run with it and being able to wear the results in the end is a unique, rad experience. We like the same things to the point we never have to explain our influences to each other. We might not talk for weeks at a time, but then we'll talk for hours and share moodboards and they'll always have a few of the same main inspirations out of coincidence. And since we come from similar class circumstances, we get what the other person is trying to do. Because despite us being fashion kids -- him being a cutthroat kid at Central Saint Martins, me being a blogger-student juggling work and school forever -- we're still not secure or successful in the ways a lot of fashion kids are who come from money. We're always dipping into luxury art and fashion realms but our actual daily realm is eating 99cent muffins for dinner because we're too broke to afford real food because student loans, and materials for our work. So we're always drawn to bringing our aesthetics into our neighborhoods, it's a visual representation of the weird juggling act we're constantly participating in. Photographing his work and our collaborations in neighborhoods that don't match up visually -- that's just our lives, really. We don't match up to the expectations our clothes -- or dreams -- tell us we should have. And I personally enjoy that very much. 

We took a lot of pictures in this dress so it was hard to narrow it down -- you'll likely see different iterations of our approach in the future in this, I want to show you how fun it is to wear. Anyway -- hope all is well and you are safe and sound.